While reading a great article all about the ProRes 422 format, I found the following nugget of info: While comparing the software-converted files I noticed a couple of interesting issues. My testing found that when the camera native codecs DVCPROHD, HDV or SxS were converted to ProRes in software they universally ran better when using [...]

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This is an article in the Real World Editing series. In this article, we’re going to take a look at the setup and preferences in Final Cut Pro.  “Boooring”, you might be thinking. “When do we get to start editing?” This is a very important step in the understanding of Final Cut Pro. It is [...]

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I’ve decided to embark on a series of articles comprehensively covering Final Cut Pro (and, ultimately Final Cut Studio) called Real World Editing. One thing that I’ve found lacking in my search for video education, whether I was just learning how to edit, or wanting to enhance my skills as a colorist, etc. is “real [...]

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