Conforming Changes in Soundtrack Pro Mixes

Another great tip from the Tips for Final Cut Pro Editors blog regarding the conform function in Soundtrack Pro: So I made the changes in FCP, exported the sequence to STP again, but this time with a different file name. Then, once in STP, I clicked the conform button, and in the dialog box that [...]

ProRes 422 Standard vs. ProRes 422 HQ

While reading a great article all about the ProRes 422 format, I found the following nugget of info: While comparing the software-converted files I noticed a couple of interesting issues. My testing found that when the camera native codecs DVCPROHD, HDV or SxS were converted to ProRes in software they universally ran better when using [...]

5 Final Cut Pro Secrets for Better-Looking Edits

Quite a “bloggy” title to this post, I know, but I’ve been thinking about these techniques that I do over and over in Final Cut Pro that I think add to better video editing.

Telestream announces ScreenFlow 1.5

New in ScreenFlow 1.5.1 * Powerful titling and text support * Produce screen recordings in Windows Media video format (direct export requires a Flip4Mac WMV Studio license (prices starting at $49) see how-to video * Create custom cursors for your demos via Telestream ScreenFlow – Overview. Screenflow seems the go-to screencasting software of choice for [...]

Paste Attributes in Final Cut Pro

Paste Attributes is the most awesomest command in Final Cut Pro. At least in my opinion. It allows you to copy certain attributes of one clip and paste them on another clip. This technique can really kick your video editing productivity up a notch and help you become a Final Cut Pro Guru. Copy the [...]

Creative Uses of Composite Modes in Final Cut Pro

Fascinating article / tutorial on getting creative with composite modes in Final Cut Pro . . . Composite Modes (also known as Blend Modes, Blending Modes, or Transfer Modes) provide alternate ways to blend together the pixels in two overlapping clips. They take some properties of the clip on top (such as its color or [...]

Final Cut Pro Tips: Pretend You’re Always Going to TV

I can’t tell you how many times I’ve been burned doing what I thought was a web-only project for a client, but then they decided they wanted DVDs to play on TV, or wanted to broadcast some or all of the project. Then I had to go back and fix everything that was not broadcast-ready. [...]

Self Contained vs. Non-Self Contained « Tips for Final Cut ProEditors

I found a cool blog called Tips for Final Cut Pro Editors, with great posts. A must add to your RSS feeds. A recent tip regarding Self Contained vs. Non-Self Contained QuickTime or Final Cut Pro Movies: A “Self Contained” movie is a video file. It’s got all the information it needs, you can move [...]

Setup & Preferences – User Preferences

This is an article in the Real World Editing series. In this article, we’re going to take a look at the setup and preferences in Final Cut Pro.  “Boooring”, you might be thinking. “When do we get to start editing?” This is a very important step in the understanding of Final Cut Pro. It is [...]

Real World Editing

I’ve decided to embark on a series of articles comprehensively covering Final Cut Pro (and, ultimately Final Cut Studio) called Real World Editing. One thing that I’ve found lacking in my search for video education, whether I was just learning how to edit, or wanting to enhance my skills as a colorist, etc. is “real [...]